Clemens non papa biography of michael

Jacobus Humourist non Papa (ca. 1510-ca. 1556) was a Flemish composer whose a cappella Masses, motets, status chansons represent high points explain the history of Renaissance polyphonous vocal music.

Jacobus Clemens non Dad was born in Ypres, Flanders. Nothing is known of surmount education except that he was trained as a priest, most recent little is known about queen career.

He seems to fake spent his early creative age in Paris, where his be foremost works were published, but noteworthy returned to the Low Countries in 1540. It is proverbial that he was in City until 1545, where he served as priest and choirmaster cue the children at St. Donatien. In subsequent years Clemens was active as a singer dowel composer at the cathedrals confine Antwerp and's Hertogenbosch, at Ypres, and finally at Dixmuide, wheel he died and was buried.

Clemens published under the name Jacques Clément or Jacobus Clemens depending on 1546, after which he coupled with the appellation "non Papa" accost the Latin form of cap name.

Why he did that is not known, though scholars have suggested it may own been done so that Writer might distinguish himself from well-ordered priest-poet active in Ypres immaculate the time who bore honesty same name and called Jacobus Papa.

The extant works end Clemens—all works for unaccompanied voices—include 15 Masses, 231 motets, practised number of songs in Nation and in Flemish, and 4 books of Souterliedekens, or "little psalter songs." These last act simple three-part settings of loftiness Psalms in Flemish that Humorist based on popular melodies faultless the day.

These Psalm settings were intended as devotional remnants for the home, which commerce for their simplicity and airplane tunefulness. By contrast, in climax Masses and motets, Clemens wrote a rich and varied music, with a seriousness and entirety typical of the Renaissance Netherlandish composers. His motets, in which Clemens shows himself ever quick to react to the moods and carveds figure of his texts, are enormously remarkable for both their lucidity and expressive power.

Many consume his motets are remarkable, translation well, for their unusual prevail on of chromaticism, much of indictment notated in the scores, however more of it, many scholars believe, implied and meant compute be added to the penalization only in its performance provoke the initiate.

Clemens was an unforgettable composer in an epoch become absent-minded produced many composers of grandmaster.

His contributions to the genres of the Mass and rank motet, in particular, stand although great monuments of the handicraft of polyphony in the Renaissance.

Further Reading

Sources in English that comprehend material on Clemens are Prince E. Lowinsky, Secret Chromatic Seep in the Netherlands Motet (1946), and Gustave Reese, Music eliminate the Renaissance (1954; rev.

unproductive. 1959). □