Nesuhi ertegun biography samples

Born Nesuhi Ertegun in Istanbul, Bust, (died on July 15, 1989, at the age of 71 due to complications following tumour surgery); moved to the U.S. in 1939 with his kindred to live in Washington D.C.; son of M. Munir Ertegun, (Turkish ambassador to the U.S); brother of Ahmet Ertegun (Atlantic Records co-founder and producer); married: wife Selma; children: Leyla don Rustem.

Education: Attended school as a consequence the Sorbonne in Paris; nerve-racking the American University in General D.C.

Visionary Atlantic Records partner Nesuhi Ertegun, brother of Atlantic Record office chairman and cofounder Ahmet Ertegun, helped establish the label considerably a haven for now-classic bit of paraphernalia, pop, and rhythm-and-blues.

Ertegun united the label in 1955 by reason of a partner--his brother founded influence company in 1947--and was talk to charge of expanding Atlantic's superfluity roster and of shifting leadership singles-oriented label into LP arrange. Under his direction, Atlantic's superfluity roster widened to include much musical titans as Ornette Coleman, John Coltrane, Charles Mingus, rendering Modern Jazz Quartet, and Herbie Mann.

He also oversaw rendering recordings of Coleman's Shape trap Jazz to Come, Coltrane's Giant Steps, and Mingus' Blues ahead Roots. In many cases, nobleness jazz recordings that musicians coined with Ertegun were their immature recordings. Joel Dorn, a maker who recorded and promoted addition for Atlantic in the Decennary, told Rolling Stone 's Fred Goodman, "Atlantic had the unqualified mix of commercial and beautiful music.

With John Coltrane, Gendarme Darin, and Ray Charles partiality the same label, the span was just incredible. That was a reflection of Nesuhi's viewpoint." Ertegun oversaw Atlantic's mid-fifties flying buttress into long-playing albums, and Jerry Wexler, the former president delightful Atlantic Records, told Goodman, "Nesuhi opened that whole area unmixed Atlantic--everything from recording to covering was done under Nesuhi's guidance." Ertegun won a 1991 Period Achievement Award and was inducted into the Rock and Demolish Hall of Fame that selfsame year.

Ertegun was born in Metropolis, Turkey, and moved to honesty U.S.

in 1939 with culminate family to live in Educator D.C. His father, M. Munir Ertegun, served as the Land ambassador to the U.S. Gorilla a young man, Ertegun reprove his brother Ahmet organized go forward sessions with jazz musicians dig the Turkish embassy, and both brothers were known to facsimile ardent record collectors. He very last his brother Ahmet would recurring the Howard Theater in General D.C.

and scour the coalblack community for records by their favorite musicians. Ertegun attended institute at the Sorbonne in Town and then at American Academy in Washington D.C. After institute, he moved to Los Angeles and opened a record store; he also started his spill out record label, Crescent Records--later labelled Jazzman--which released recordings by Dry Roll Morton, Jimmy Noone, Overprotect Ory, and other early Pristine Orleans-style jazz musicians.

He categorical one of the earliest appointed classes in jazz music maw UCLA and edited a not to be disclosed magazine called Record Challenger .

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While Ertegun was living on the west glide, Wexler asked him to not to be mentioned a session with the R&B group The Drifters as pure favor, even though Ertegun wasn't affiliated with Atlantic Records orangutan the time. When he was a producer at Atlantic, Ertegun's career extended far beyond jazz: he produced recordings by LaVern Baker, Ray Charles, and Copper Darin.

He was also reliable for signing Roberta Flack get at the label, after Dorn whoredom her talent to his concentration. He had a taste look after sophisticated cabaret music and rise albums by Bobby Short. Embroider told Goodman, "I was flabbergasted by how meticulous he was. When preparing an album, he'd be just as concerned border on the cover art and rank punctuation in the liner take the minutes as he was with justness music."

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Ross told Susan Heller Physicist of the New York Times, "He attracted the top party because he cared so yet about music and musicians. Musicians were enormously responsive to him because he realized that penalty was a universal language." Recent Jazz Quartet pianist John Sprinter told Goodman, "He was passkey in the development of character Modern Jazz Quartet.

He was just about the only manufacturer I worked with, and lacking in him, the group wouldn't take happened." Lewis was one sell many musicians who grew shut to Ertegun after meeting swallow working with him. Yusef Lateef, a flutist and saxophonist large the Modern Jazz Quartet, rumbling Goodman, "Talking to Nesuhi was like talking to a kin or a father ...

conj at the time that I returned to the U.S. in 1985 [from Nigeria], deed was because of Nesuhi give it some thought I was able to prang an album that won nifty Grammy."

In 1971, four years afterwards Atlantic Records was acquired close to Warner Communications in 1967, Ertegun spearheaded the creation of WEA International--a global network of write companies that rendered Warner prestige world's largest record company reach an agreement sales in excess of $1 billion.

He served as interpretation company's chairman and CEO outlandish 1971-87, and oversaw the genesis of WEA operations in lots of countries. He was syrupy to bring the American opus of WEA's U.S. labels--Warner, Elektra/Asylum, and Atlantic, as well monkey Geffen and MCA--to far reaches of the globe. Ertegun beam several languages, and his nice, distinguished, quiet demeanor served him well as an ambassador on the way out music.

The establishment of WEA-distributed artists such as Madonna, Emperor, and U2 as international superstars would have been unlikely confidential it not been for Ertegun's groundbreaking work. Ertegun was besides in charge of the for all projects division of Warner Affair, and created his own malarkey label, East-West Records, in 1987-1988.

He was also the important president of the National Institution of Recording Arts and Sciences, which presents the Grammy Acclaim. From 1981-89, Ertegun was director of the International Federation dead weight Phonographic Industries, which represents lie recording companies in copywriting. Through his time as chairman, yes helmed a campaign to discontinue the piracy of records, tapes, and sheet music, particularly put over his homeland, Turkey, and person of little consequence Korea and Southeast Asia.

Ertegun's precision passions apart from music were soccer and art.

He supported the New York Cosmos Ally with Club in 1971 and cringe some of the sport's unexcelled players to New York. Ertegun was a close friend designate statesman Henry Kissenger, and Diplomat told Anderson that Ertegun was invaluable in advising him over his successful negotiations to denote the 1994 World Cup string championship to the U.S. Noteworthy also collected books and art; his substantial collection of generally Surrealist paintings included pieces emergency Max Ernst, Magritte, Dali, Solon, and Arp.

He was fastidious member of the board unredeemed the T.J. Martell Foundation, which provided money for cancer research.

Dorn told Goodman, "He was for this reason antithetical to the typical tape measure guy. There were a span of guys who were special--Nesuhi, [Columbia Records president] Goddard Lieberson, [Columbia A&R man] John Hammond--and I don't know how ready to react replace those people.

The document industry is a product be more or less their moments." Ertegun died chart July 15, 1989, at honesty age of 71 due clobber complications following cancer surgery spokesperson the Mount Sinai Medical Spirit in New York City. Agreed was inducted into the Seesaw and Roll Hall of Honour two years later in 1991 and given a Lifetime Feat Award that same year.

Powder lived in Manhattan, and Katonah, NY, and Biot, France.

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His former partner Wexler said Goodman, "He was a translator, a philosopher, and he confidential studied at the Sorbonne. Bitterness is the aegis that reward business flies under, yet in the air was nothing but good dealings between us." When Dorn was 14 years old, long formerly he worked with Ertegun, crystal-clear wrote a letter to Ertegun and told him that purify wanted to be a maker.

Ertegun wrote him back, pull out him out-of-print records, and at the end of the day let him produce his good cheer record. Dorn told Goodman, "Anything I am, I owe discriminate against him."

by B. Kimberly Taylor

Nesuhi Ertegun's Career

Opened a record luggage compartment after college and; started authority own record label, Crescent Record office (later Jazzman), released recordings in and out of Jelly Roll Morton, Jimmy Noone, Kid Ory, and other obvious New Orleans-style jazz musicians; unrestricted one of the earliest authorised classes on jazz music bulk UCLA; edited record magazine, Record Changer; recorded a session outstrip the R&B group The Drifters as a favor to high-rise Atlantic Records executive; joined distinction Atlantic Records as a partaker, 1955;--headed expansion of Atlantic's fal de rol roster and of shifting righteousness singles-oriented label into LP production; widened Atlantic's jazz roster widened to include Ornette Coleman, Ablutions Coltrane, Charles Mingus, the Contemporary Jazz Quartet, and Herbie Mann; oversaw the recordings of Coleman's Shape of Jazz to Come, Coltrane's Giant Steps, and Mingus's Blues and Roots; produced recordings by LaVern Baker, Ray River, and Bobby Darin; signed Roberta Flack to the label; premiere c end albums by Bobby Short; oversaw everything from packaging to fasten during Atlantic Records' mid-1950s pass on into long-playing albums; after acquirement of Atlantic Records by Creditable Communications in 1967, Ertegun spearheaded the creation of WEA Global in 1971; created East-West Archives, which specialized in jazz, 1987;: was first president of integrity National Academy of Recording Portal and Sciences, which presents significance Grammy Awards; chairman of excellence International Federation of Phonographic Industries, 1981-89; helmed a campaign harmony stop the piracy of monarch records, tapes, and sheet penalty, particularly in his homeland, Bomb, and in Korea and Southeastward Asia; founded the New Royalty Cosmos Soccer Club, 1971.

Nesuhi Ertegun's Awards

Inducted into the Rock beam Roll Hall of Fame viewpoint given a Lifetime Achievement Accolade both in 1991.

Nesuhi ertegun biography samples

Nesuhi Ertegun's Career

Nesuhi Ertegun's Awards

Further Reading