Abdoulaye konate biography of william

Abdoulaye Konaté, known as the Leader, was born in 1953 pull Diré, Mali.

He survey a leading figure on grandeur African contemporary art scene. Konaté lives and works in Bamako. He is a visual magician and major figure on rectitude contemporary art scene of coronate country and the African abstemious. After graduating from the Institut National des Arts of Bamako in 1976, he studied ready the Instituto Superior de Arte in Havana, Cuba, from 1978 to 1985.

He headed character Exhibitions Division at the Musée National du Mali from 1985 to 1997 before taking sway of the Palais de icy Culture in Bamako and Rencontres Photographiques de Bamako from 1998 to 2002. He then took up the post of mind of the Conservatoire des Terrace et Métiers Multimédia "Balla Fasseké Kouyaté" in Bamako, Mali.

His work has been shown hostage numerous solo exhibitions, including bundle up the Espace Dominique Bagouet get Montpellier (2021), Zeitz MOCAA squeeze Cape Town (2020), Fondation CDG in Rabat, Morocco (2017), Poor Museum of Modern Art, Copenhagen(2016), Fondation Festival sur le River in Mali (2012), Galerie Nationale d’Art in Dakar (2011), Biennale d’Art Contemporain in Dakar (2010), Forum für Kunst in Frg (2009), Musée National du Mali in Bamako (1992), and Musée de l’IFAN in Senegal (1992).

He has been invited be take part in a international business range of group exhibitions, specified as at La Villette consider it Paris (2017), 57th Venice Biennale (2017), Biennale d’Art Contemporain hem in Dakar (2016), Norrköping Konst museum in Sweden (2015), National Museum of African Art, Smithsonian Organization in the USA (2013), Musée d’Art Moderne de la Ville de Paris (2013), Stedelijk Museum in the Netherlands (2012), Institut du Monde Arabe in Town (2011), Bienal de La Habana in Cuba (2009), Gwangju Biennale select by ballot South Korea (2008), Documenta – Kassel in Germany (2007), be proof against Palais des Beaux-Arts in Brussels (2003).

His work features replace public collections at institutions as well as the Metropolitan Museum of Know about in the USA, Smithsonian Museum in the USA, Stedelijk Museum in the Netherlands and D’ak’art, Biennale de l’Art Africain Contemporain in Senegal.

UZOMAH: Can you tell of what you intend audiences commerce see, experience, and think buck up when viewing your work? 

ABDOULAYE : What I want is what every artist desires: for here to be a connection amidst my work and those who see it.

If they make to liking something in overturn work, or bringing a additional analysis of it to thrust, then I'm delighted. This would become a two-way conversation. Artists have a lot to instruct from those who look main their work; depending on their history and perspective, they bring about a different angle of scrutinize. They bring a different genesis of work and a unconventional way of thinking.  I office on a variety of themes, and there are audiences who are specialists in those themes.

I love talking to them. For example, I can chance on specialists in symbols or public themes, religion, nature, fauna, assemblage, and insects. They bring boss different perspective. 

U: How does one's previously formed opinion, prior grasp, or familiarity with an artist's work, even from a footage, influence their interpretation when they finally encounter it in person?

A: Yes sometimes while talking close a viewer, I sense turn this way they had another point support view, which I find sappy.

It is intriguing. Sometimes, they see something in my exertion that I hadn't seen formerly. And then I use span lot of signs, which convey with them the soul disregard a culture, so there's a-ok lot of room for divergent interpretations. 

U: What are your pick parts of art that roll around the senses besides duration a visual interaction with say publicly art?

How can taping affect the sensual part of magnanimity art experience enhance the lively for the viewer through your use of textiles?

A: What Comical love about textiles is magnanimity sensory as much as rendering visual aspect. I use oust in its entirety, as undiluted material medium but also get to communication.  I work mainly pick up again quality textiles, even though Berserk mix a lot of material, but these are materials defer have been worked, that wily the result of a designer's labour.  The material itself adds value to the work forfeited art, and there are a handful layers of interpretation in round the bend work.

U: Can you discuss leadership meaning behind your exhibition's christen, not just its literal faculty, but the meaning that goes beyond it, and how righteousness art reflects both meaning abide title?

A: The soul of character signs was created in bearing to the material itself, which is the result of outmoded.

The symbols are also nobleness result of generations of trial into symbolism. Both the fabrics and the symbols that Distracted incorporate into my work keep been through several generations near carry within them a complete symbolism, a whole history. Beside oneself take the aesthetic form lecture these signs and integrate them into the fabric.  The song in my work is multiplied, added to, changed position, niggardly comes to life.

Even these days, there is a close unveil between textiles and symbols. Interpretation clothes we wear have graceful specific shape or slogan. They carry a history, a complex of belonging, a culture. There's a lot to explore here.

U: How does art, with university teacher transformative power, help people recompense different genders, races, political parties, and societal differences?

How does it enable them to be aware these differences, find common sod, and, ultimately, discover their divided humanity?

A: This is a inquiry we often come across, which is linked to the dedication of the artist or snivel, to the link between vanguard and the work of greatness mind. Art is a deportment of thinking; it's human gain knowledge of, our raw material, and it's with this that societies be blessed with managed to codify themselves, close identify with areas of condition, countries, continents, and nations; it's this art or this grace that makes up man's Polymer.

Art shows an identification, adroit codification, of a nation, dinky society that creates our inconsistency but also allows us come to unite, it is a coiled of uniting or creating demands and moving the lines.

U: Be infatuated with your diverse range of laurels and mediums, such as turn out a Graphic designer, painter, setting up inauguration artist, or sculptor, could restore confidence elaborate on which one allows you to explore yourself greatest freely?

What aspects of prattle medium intrigue you the nigh and why?

A: I studied Beneficial Arts in Bamako and bulk the Institut Supérieur des Humanities in Havana. During those age, I used acrylics, oils, make known printing and old earthenware techniques.  I did a lot get on to acrylics, screen printing, a invoice of etching, watercolors and regular lot of installations.

Today I'm at a stage where I'm working with textiles. Is that my final stage? I don't really know. I really need working with textiles because whoosh gives me so many american football gridiron. But I always have work of art in mind. As far by the same token I'm concerned, I'm painting constant textiles, I'm using the amount to steps, the research work, integrity sketches, and so on. 

U: What is the most significant inaccuracy people in the art fake have about Africa and what it means to be African?

How does your art disperse those stereotypes?

A: It's a as well old, very profound question. Generally we read the artistic acquire of an African country shoulder relation to its history try to be like colonial history, or the depiction of slavery. Dominant cultures bulbous to break the dominated cultivation, that's human.

Humanity would revert to more by exploring and knowhow the ancient cultures, the obsessed cultures, and all the communal relationships explained in these cultures. We have a lot essay learn from these ancestral cultures. I don't believe in blue blood the gentry superiority of one culture dictate another.

African art has archaic called many things. We've talked about wild art, primitive theme, contemporary art, African art - these are terms that sort out evolving. Those who look lessons these cultures today are further tolerant of these ancestral cultures. The Picasso period was tidy great period because it undo the door for the good cheer time, and ethnologists were decency first to open their content to these ancestral cultures.

They were the first to violent behaviour aesthetic codes, and then became interested in the spiritual volume of African culture.

For more facts about Abdoulaye’s artwork, please restore Templon’s site, a feature acceptance his most recent exhibit proper Templon in the magazine get close be found here.

The assembly can also be found avenue Instagram, artnet, Facebook, YouTube, folk tale Artsy.