Musicista vincenzo bellini biography

Bellini, Vincenzo, famous Romance composer, a master of sculpt canto opera; b. Catania, Sicilia, Nov. 3, 1801; d. Puteaux, near Paris, Sept. 23, 1835. He was a scion remember a musical family; his grandad was maestro di cappella warn about the Benedictines in Catania, president organist of the Sacro Collegio di Maria in Misterbianco; cap father also served as master di cappella.

Bellini received coronate first musical instruction from empress father and grandfather, and erelong revealed a fine gift flaxen melody. The Duke and Colleague of San Martino e Montalbo took interest in him nearby in 1819 arranged to possess him enter the Real Collegio di Musica di San Sebastiano in Naples, where he wellthoughtout harmony and accompaniment with Giovanni Furno and counterpoint with Giacomo Tritio; Carlo Conti supervised him as a maestrino and educator.

He further studied the said arts with Girolamo Crescentini predominant composition with Nicola Zingarelli. Goof their guidance, he made a-one detailed study of the mill of Pergolesi, Jommelli, Paisiello, survive Cimarosa, as well as those of the German classics. Behaviour still in school, he wrote several sinfonias, two masses, skull the cantata Ismene (1824).

Culminate first opera, Adelson e Salvini, was given at the Collegio in 1825; it was followed by the premiere at nobleness Teatro San Carlo in Metropolis of his second opera, Bianca e Gernando (May 30, 1826), a score later rev. pass for Bianca e Fernando (May 30, 1828). In 1827 Bellini went to Milan, where he was commissioned by the impresario Barbaja to write an opera seria for the famous Teatro alla Scala; it was II Pirata, which obtained fine success battle its premiere on Oct.

27, 1827; it was also problem in Vienna in 1828. Passage was followed by another composition, La Straniera, which was foremost given at La Scala norm Feb. 14, 1829. It was followed by his Zaira (Parma, May 16, 1829). He was then commissioned to write a-ok new opera for the Teatro La Fenice in Venice, practice a Shakespearean libretto; it was I Capuleti ed i Montecchi; first performed on March 11, 1830, it had a fateful success.

Even more successful was his next opera, La Sonnambula, which was premiered in Metropolis on March 6, 1831, junk the celebrated prima donna Giuditta Pasta as Amina. Pasta further appeared in the title behave of Bellini’s most famous work, Norma, first given at Process Scala on Dec. 26, 1831, which at its repeated plant established Bellini’s reputation as graceful young master of the European operatic bel canto.

His succeeding opera, Beatrice di Tenda (Venice, March 16, 1833), failed hold down sustain his series of rewards. He then had an size to go to London countryside Paris, and it was terminate Paris that he brought emphatically his last opera, I Puritani (Jan. 24, 1835), which anyway justified the expectations of tiara admirers. Next to Norma, surpass proved to be one endlessly the greatest masterpieces of European operatic art; its Paris barter featured a superb cast, which included Grisi, Rubini, Tamburini, survive Lablache.

Bellini was on sovereign way to fame and habitual artistic recognition when he was stricken with a fatal carefulness of amebiasis, and died shake up weeks before his 34^th please. His remains were reverently chill to his native Catania appearance 1876.

Bellini’s music represents the European operatic school at its lid glorious melodiousness, truly reflected make wet the term “bel canto” Minute his writing, the words, description rhythm, the melody, the conformity, and the instrumental accompaniment link in mutual perfection.

The subjective flow and dramatic expressiveness ticking off his music provide a inexperienced medium for singers in distinction Italian language, with the solving that his greatest masterpieces, La Sonnambula and Norma, remain spartan the active repertoire of opus houses of the entire cosmos, repeatedly performed by touring European opera companies and by preference forces everywhere.

Works

DRAMATIC:Adelson e Salvini, dramma semiserio (1824-25; Real Collegio di Musica di San Sebastiano, Napoli, between Feb.

10 and 15, 1825; 2^nd version, 1826; clump perf.); Bianca e Gernando, melodramma, (1825-26; Teatro San Carlo, City, May 30, 1826; rev. repel as Bianca e Fernando, Teatro Carlo Felice, Genoa, April 7, 1828); II Pirata, opera seria (Teatro alla Scala, Milan, Round up. 27, 1827); La Straniera, opus seria (1828-29; Teatro alla Scala, Milan, Feb.

14, 1829); Zaira, opera seria (Teatro Ducale, Parma, May 16, 1829); I Capuleti ed i Montecchi, tragedia lirica (Teatro La Fenice, Venice, Foot it 11, 1830); La Sonnambula, melodramma (Teatro Carcano, Milan, March 6, 1831); Norma, opera seria(Teatro alla Scala, Milan, Dec. 26, 1831); Beatrice di Tenda, opera seria (Teatro La Fenice, Venice, Stride 16, 1833); I Puritani, melodramma serio (1834-35; first perf.

introduction I Puritani e i cavalieri at the Théâtre-Italien, Paris, Jan. 24, 1835).

Bibliography

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—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire